Jaws Of Death

Primal Fear

Nuclear Blast Records, 1999

http://www.primalfear.de

REVIEW BY: Christopher Thelen

ORIGINALLY PUBLISHED: 08/03/1999

One of the things about heavy metal that I think attracted me to the genre as a young man - and something I find kind of laughable these days - is the testosterone-laced machismo that makes up some of the lyrics. It almost is like a "warrior ethic" for the teenage boy; an extension of his developing manhood, if you will. Of course, now that I'm within sniffing distance of 30, I listen to some of those groups and wonder to myself, "What was I thinking?!?"

Germany's Primal Fear is a band that falls under this blanket of six-string machoness, but to their credit, they don't take it to any far-reaching extremes. Their latest disc, my_heart_sings_the_harmony_web_ad_alt_250 Jaws Of Death, is entertaining, but its overall sound is typical of other bands who strut their stuff in the name of all things metal, a la Manowar and Hammerfall.

The band - singer Ralf Scheepers (ex-Gamma Ray), guitarists Tom Naumann and Stefan Leibing, bassist Mat Sinner and drummer Klaus Sperling - prove early on that they're talented musicians, though I admit I did find myself waiting to hear a real blistering solo for a while before it seemed like the guitars really kicked in. After the brief instrumental intro of "Jaws Of Death," the band kicks things off with "Final Embrace," the type of tune that draws on the experience each band member has with their former groups.

For a good portion of Jaws Of Death, Primal Fear churn out song after song that sound similar to some metal I would have listened to when I was a teenager; be that as it may, the songs are still very listenable, something I normally wouldn't expect. Tracks like "Church Of Blood," "Under Your Spell" and "Save A Prayer" all have their moments, but don't be surprised if you feel like you've heard this stuff before.

What is interesting about this album is that the music near the end starts to sound a little more commercial - and a little mellower as a result. Songs like "Fight To Survive" almost sound like they were created with the idea of releasing a single (something I honestly doubt the band had planned to do), and is even more accessible than some of the other material.

Scheepers's vocals are something that do take a little time to get used to, especially when he's not in the higher ranges; there's kind of a hoarseness to them at times.

Jaws Of Death is an album that breaks no new ground, but I wonder if it was intended to in the first place. Fortunately, its musical strength carries it through, and makes it an album that today's young metalheads will want to consider picking up.

Rating: B-

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© 1999 Christopher Thelen and The Daily Vault. All rights reserved. Review or any portion may not be reproduced without written permission. Cover art is the intellectual property of Nuclear Blast Records, and is used for informational purposes only.