2003: The Year That Was

by Sean McCarthy

Clear Channel, the Internet and the continued specialization of radio stations have done a great job of fracturing the music world. With the exception of 50 Cent's inescapable "In da Club," listeners could likely retreat into their own cocoons. This isolated specialization resulted in a good year in music. A very good year.

But not spectacular.

There were no jaw-dropping standard-setters like Yankee Hotel Foxtrot, Stankonia or OK Computer to take popular music in a new direction. Looking at the selections for 2003 was like trying to ascertain who were the better teams: Yankees or the Spurs? Brett Favre or Lance Armstrong? What was the better album: Lucinda Williams' World Without Tears or Outkast's Speakerboxx/The Love Below? It's almost unfair to judge virtually every submission in this year's top ten excelled in their own particular genre, but came just short in being a landmark recording for which future albums will be judged. But here goes…

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10. Eels - Shootenannny!

Mark Oliver Everett ("E") has made an album about the despair of watching his mother succumb to a terminal disease and the suicide of his sister, so it's no surprise that Shootennanny! is a more lighthearted effort. It's still partly cloudy in Everett's world, but with hooks this good, the lyrics don't usually hit you, until you get to the mournful "Numbered Days."

Best album to listen to: on a Saturday morning with nothing to do and nowhere to go.

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9. Fountains of Wayne - Welcome Interstate Managers

Blue collar folks have always had "voice of the people" musicians clamoring to represent them. From Bruce Springsteen to most country music artists, if you're a bricklayer or a dock worker, these guys are singing your song. But for the "not blue collar, but not making near enough for white collar pay" workers of the world, their voice has been lacking in mainstream music, until now. Fountains of Wayne's odes to bad waitresses, number crunching and, yes, Stacy's mom, were both a hooky delights and a standard for songwriting that many so-called emo artists could learn from.

Best album to listen to: Right after your smarmy boss says "We're going to need to come in tomorrow, m'kay? That would be great" - at 4:49 p.m. on a Friday.

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8. Massive Attack - 100th Window

Unfortunately, 100th Window was released a bit early in the year, so as a result, many have forgotten about it. It may not pack the same emotional and sonic punch as Mezzanine or Blue Lines, but it served as one of the only reminders in 2003 that there were still places where techno music could go.

Best album to listen to: during a winter storm warning.

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7. The White Stripes - Elephant

I know.

Best album to listen to: When you want to stop feeling guilty about defending this talented, yet extremely overhyped band.

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6. The Distillers - Coral Fang

Garage rock is already populated with bands that are dangerously close to being interchangeable, so why should you buy The Distillers instead of the YeahYeahYeahs? No reason. They're both worth buying. But Brody Dalle's visceral lyrics about her breakup with Rancid singer Tim Armstrong and Gil Norton and Andy Wallace's buzzsaw production give this album the advantage.

Best album to: wish you could play on your office PA speakers

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5. Radiohead - Hail to the Thief

Hard to predict how this album will fit into Radiohead's overall catalog. It's not as atmospheric as Kid A and Amnesiac, but the band thankfully avoids doing a "return to roots" album ala U2's All That You Can't Leave Behind. All I know is that after a year, "2+2=5" and "Go To Sleep" retain their punch. Few bands could make a song like "We Suck Young Blood" catchy, but that's one of many accomplishments on Hail to the Thief. An amazing album to hear live.

Best album to listen to: While waiting for NPR's "All Things Considered" to come on.

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4. Blur - Think Tank

"I ain't got nothing to be scared of" Damon Albarn sings at the beginning of Think Tank. Nothing except losing your heralded guitar player, your fan base and the futility of being one of the major voices of the anti-war movement on the cusp of war. Sadly, the band felt forced to include a tailor-made radio hit with the way out of place Fatboy Slim-produced "Crazy Beat."

Best album to listen to: while reading the Socialist Journal, getting elegantly wasted on French wine, and watching highlights from Gulf War II on CNN or BBC.

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3. Lucinda Williams - World Without Tears

Combining the pop sense of Car Wheels on a Gravel Road with the emotional immediacy of Essence, Williams crafted another gem with World Without Tears. She proved she was still the master of character studies with "Sweet Side" and "Righteously." Williams also had the honor of being the subject of the most lame-ass complaint from ignorant fans in 2003: she raps on this album. Note to those who think country music is big belts and Dollywood: many early-country artists sang in spoken-word delivery. Dumbasses.

Best album to listen to: when you're into that eighth month of a relationship that you probably shouldn't be in.

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2. Death Cab for Cutie -Transatlanticism

"Expo '86" is the lost pop gem of 2003. Transatlanticism is great for its deceptive simplicity. There's nothing here that hasn't been done before. But with great songwriting and songs with enough hooks to stick in your head after the first listen, Transatlanticism needed no hype to make it memorable. Benjamin Gibbard sings about "the sound of settling." If this is settling, than there are far worse places you could be.

Best album to listen to: taking your car out on an extended drive during fall's last nice day, or spring's first nice day.

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1. Outkast - Speakerboxx/The Love Below

How can an album that will probably come after Stankonia and Aquemini in terms of greatness still land "Album of the Year" honors? Probably because it was an album that was initially supposed to be a failure - it couldn't be made. Probably because Big Boi proved himself to be more than just the "thug" element of Outkast, decrying the death of Daniel Pearl and creating a delicious, funky CD that shows that the genius in the band did not fall squarely on Andre3000. Probably because it was the only album I heard blare out of SUV's, early-90s Toyota Corollas, sports stadiums and coffee houses. Speakerboxx/The Love Below held together when it should have imploded.

Best album to: Mail to Prince as a wake-up call for relevance.


Close calls
: The New Pornographers - Electric Version, YeahYeahYeahs - Fever to Tell and Cursive's The Ugly Organ.

Best soundtrack: Lost in Translation. Probably without coincidence, the best soundtrack of the year was also the best movie of the year. For those too young to catch My Bloody Valentine, The Jesus and Mary Chain and Air the first time around, this is a great refresher course. Best album to listen to: while killing time during a brutal five-hour layover in an airport bar

Most alarming trend of 2003: The focus on singles and not albums. Those who blame computers only need to look back at pop music's history to put fears to rest: there have always been cycles where the industry was more singles-driven than album-driven. But with cheap or free downloads freely available, millions are lifting the best tunes of their favorite artists and leaving the 'other' tunes on the album to wilt. Here's hoping that the joys of listening to an album from start to finish will not go the way of cassettes in the age of the iPOD.

Disappointment of the year: It's hard to call The Strokes' Room on Fire a disappointment, but if you're broke, why buy it when you can just listen to Is This It? again? Ditto for Liz Phair, minus the other album to compare her self-titled album to. Everyone knew this was going to suck. It didn't make the listen experience any less excruciating.

Disappointment that I'll probably regret next year: Thirteenth Step by A Perfect Circle. Weak songcrafting, unusually limp lyrics and not a decent hook to lure listeners in like Mer de Noms. This one has 'hardcore fan favorite' written all over it.

Best live shows in 2003: An unforgettable performance by Radiohead in Milwaukee in the summer, a solid set by Tori Amos in the spring and a memorable show by MC Honkey and The Eels were worth the beatings inflicted on the wallet.

Best novelty album that really wasn't a novelty: True Love Waits - Christopher O'Riley plays Radiohead. Just as I was about to call for a worldwide ban on any "(fill in the country or city) Symphony plays the songs of (insert odd pairing, such as Nine Inch Nails or Metallica)," pianist Christopher O'Riley injects warmth and a human heart to Radiohead's most sterile releases (Kid A and Amnesiac). His enthusiasm for the material never felt contrived and never overcame him. Instead, O'Riley's work enhances the experience of listening to Radiohead and does something that most "tribute" albums fail to do: elevate both the source material and the artist playing tribute to a higher level.

Easiest fans to make fun of in 2003: Evanescence fans. I know this band is not the soundtrack of everyone who spends 40 hours a week role-playing online, another 30 hours a week at Village Inn playing Petteia and 15 hours a week working at a part-time job. It just seems like it.

Farewells: The loss of both June Carter Cash and Johnny Cash in 2003 left a void in not only country music, but in almost every other genre in music that will not be filled anytime soon. Warren Zevon left us with one of his finest albums with The Wind. We were also dealt with the loss of Barry White, Nina Simone and Elliott Smith.

A Quick Look at '04: Somewhere between the release of Halo2 on X-Box and the election, some good music should come down the pike, namely new releases from U2, Beastie Boys, Interpol, Neko Case and Garbage. Garbage has a chance to redeem itself after the disappointing BeautifulGarbage, U2 gets its chance to answer what the world is like post-September 11 and the Beastie Boys have a chance to continue their streak of winning albums. Neko Case has already made a great name for herself from her work with The New Pornographers and 2002's excellent Blacklisted. Her next album should firmly put her in same category as Lucinda Williams, Tori Amos and PJ Harvey.


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