Anna & Elizabeth
Free Dirt Records, 2025
http://annaandelizabeth.bandcamp.com
REVIEW BY: Tom Haugen
ORIGINALLY PUBLISHED: 02/16/2026
It’s been 10 years since Anna Roberts-Gevalt and Elizabeth LaPrelle released this self-titled album, and now it’s available on vinyl for the first time. It’s their sophomore record and a classic, where the bare and powerful Appalachian folk tunes embrace balladry, haunting moments and lullabies via their remarkable vocals and Roberts-Gevalt’s sparing but effective fiddle, guitar and banjo.
“Long Time Travelin’”opens with the pair harmonizing sans instruments, as much beauty and soulfulness is present. “Little Black Train” then follows with soft guitar and strong enunciation in a mountain-esque climate.
Further into the first half, the mesmerizing guitar suits the lovely vocals from the pair’s inimitable delivery thanks to “Solider And The Lady” and “Lovin’ Babe” recruits playful banjo for some bluegrass nods amid the bright storytelling. “Father Neptune” finishes Side A with a lullaby quality that’s cozy and calming.
“Goin’ Across The Mountain” begins the last nine tracks with the warm guitar and banjo interacting with much grace alongside the stirring singing, but it’s the a cappella performance of “Don’t Want To Die In The Storm” that alone is worth the price of admission courtesy of the duo’s stunning vocal prowess.
Deeper into Side B, “Troubles” seems like it’s on the cusp of yodeling and enlists a swirling presence, but it’s the well timed fiddle of “Very Day I’m Gone (Rambling Woman)” that showcases a strategic sparseness which makes an indelible impact, especially because of LaPrelle’s Appalachian vocalizing techniques.
Anna & Elizabeth carry an unwavering commitment to Mountain Music, where folk, roots, bluegrass, old time sounds and intimate storytelling is front and center. The sincerity they emit is unparalleled, and the distinct passion and minimalism will be relevant and continue to inspire for decades to come.