Not All Who Wander Are Lost

Chris Thile

Sugar Hill Records, 2001

REVIEW BY: Duke Egbert


I hate Chris Thile.

No, not his music; as we're about to see, Chris Thile has hit yet another musical home run with his latest CD, Not All Who Wander Are Lostmy_heart_sings_the_harmony_web_ad_alt_250 . I hate him because he's so damned good .

I mean, come on. The guy's not old enough to buy beer, and he plays like this? This is the latest effort from a member of bluegrass wunderkinder band Nickel Creek, and it's a doozy. Thile's playing is stylish, lyrical, precise, and elegant; he's a true master of the mandolin. He also has some of the strongest supporting players I've ever seen; Sean Watkins on guitar, Sara Watkins on fiddle, Bela Fleck on banjo, and Jerry Douglas on dobro is the kind of "backup band" that would make most bluegrass players -- not to mention fans -- fall over in a dead faint. And did I mention his producer is Alison Krauss?

So, in midst of all this glory, how does Not All Who Wander Are Lost sound? Pretty damned good, thanks. Thile calmly and elegantly turns out one of the strongest CDs I've heard this year. From "Song For A Young Queen" through "Riddles In The Dark" to "Laurie De' Tullins", this is simply a brilliant piece of acoustic traditional work. It's not all bluegrass, by any stretch of the imagination; Thile wanders off in flights of fantasy and genre with things like "Club G.R.O.S.S." with its lounge jazz saxophone and "Sinai To Canaan"'s almost New Age sounds. "You Deserve Flowers" is almost a straight contemporary country instrumental, and "Big Sam Thompson" has an Applachian or traditional feel to it, similar to Dolly Parton's recent work. Thile doesn't neglect his roots, though; straight-ahead bluegrass work like "Eureka!" and "Bridal Veil Falls" show he can handle the standard forms of the genre just fine, thank you.

In short, Not All Who Wander Are Lost is a great work. It cannot be recommended enough.

Rating: A

User Rating: Not Yet Rated



© 2001 Duke Egbert and The Daily Vault. All rights reserved. Review or any portion may not be reproduced without written permission. Cover art is the intellectual property of Sugar Hill Records, and is used for informational purposes only.