2025: Heading For The Light

by Jason Warburg


Across a year that’s been as knotty as a progressive rock jam in 13/8, music has both grounded and inspired over and over again, delivering joy, heartbreak, insight, and the kind of authenticity that makes audiences better humans for having experienced it. These moments, difficult as they were, also served as a reminder of what art is for: to provide illumination in even the darkest hours. Here are ten shining examples, plus several other points of light.

(NOTE: In the past I’ve given “Indie of the Year” and “Album Of The Year” awards, but with the majority of my picks this time out being indie artists, and so much high-quality material coming out this year, any sort of ranking game is out of the question for me. Every single one of these albums is a winner, and they’re presented here in the order in which I reviewed them.)

MY FAVORITES OF 2025

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Pete Mancini – American Equator

Inspired by the likes of Tom Petty and Drive-By Truckers, “Americana power-pop” singer-songwriter Pete Mancini went out and set a new creative high water mark for himself. American Equator is “mature, powerful and timely, confidently charting the fault lines between who we are, who we want to be, and who we may yet become, both as individuals and as a nation.”

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Terry Gomes – Some Chunes

Albums compiled from a variety of sources can feel like Frankenstein constructions where the parts don’t quite fit together; not so here. With Latin and Caribbean elements coming to the fore, Terry Gomes’ latest instrumental collection showcases his unassuming charms and keen melodic sensibilities.


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Josh Joplin Group – GpYr

Joplin’s return is everything longtime fans could have wished for: charming, whip-smart, artful and uncompromising—not to mention, sprinkled with little lyrical mantras that will make you smile in recognition. Man is it good to have you back, Josh.

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Jason Isbell – Foxes In The Snow

Gripping, intense, beautiful, and troubling, Foxes In The Snow presents a gifted artist, at the top of his creative game, baring his soul and daring to be unlikable. Musical proof that honesty can have its pitfalls, too.

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Ben Bostick – Become Other

The bravest album on this list finds Ben Bostick setting aside the rascally country-rock persona he’s inhabited for a decade in favor of a dark symphonic vision melding classical influences with Broadway theatricality. It’s a hell of a ride, as well as a bold and brilliant musical statement.

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Joe Goodkin – Joe Goodkin (EP)

In which Joe Goodkin cherry-picks six songs from his remarkable Record Of Life / Loss / Love EP trilogy and remakes them with a full band. The results? “Goodkin’s powerful words remain front and center, with the added instrumentation used as a kind of emotional accelerant, adding emphasis to particularly important or poignant moments.”

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Ivy – Traces Of You

A thoroughly unexpected posthumous return by the trio of Andy Chase, Dominique Durand and the late Adam Schlesinger, Traces Of You is beguiling, poignant, and one of my most-listened-to albums of the year. All elegies should be this appealing and rich with signs of life.

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Bill See – Bow To No One

Besides being full of quality songwriting and performances, the Divine Weeks frontman’s latest solo album feels like it captures the zeitgeist of America 2025: “You can’t kill me / Or take my joy / Or the things that I love / My heart survives.” A rock’n’roll evangelist to the end, here See offers a raw and unflinching, yet ultimately hopeful take on the moment we’re in.

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The Beths – Straight Line Was A Lie

Music friends tired weeks ago of me shouting the praises of The Beths' latest, a sterling collection of thinking-person’s power-pop that overflows with earworm hooks, superb performances, and the warm-yet-pointed introspection of singer-songwriter-frontwoman Elisabeth Stokes. Engaging, dynamic, witty, addictive.

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Big Big Train – Are We Nearly There Yet? – Live Around The World

The not-so-little prog band that could plays live around the world with the latest configuration of its ever-evolving international lineup, which proves on this double LP to be a powerhouse unit that plays both new songs and familiar BBT classics with their hearts on their sleeves. Their fans wouldn’t have it any other way.


HONORABLE MENTION (alpha by artist)

Ian M. Bailey –
Lost In A Sound
If you enjoy The Byrds, in particular Gene Clark and Gram Parsons, there’s a solid chance you’ll dig Ian M. Bailey’s present-day reinterpretation of that classic sound.

Dim Gray –
Shards
The Norwegian prog trio, now a quintet, delivered their best yet in Shards, which fuses spacious, cinematic tunes with urgent vocals and understated virtuosity.

Lilly Hiatt –
Forever
Another engaging album from this “purveyor of smart, earthy, sharply witty Americana/roots-rock songs that blend and sift influences ranging from country-folk to New Wave.”

Izz –
Collapse The Wave
The NY prog sextet returns with an album that “manifests the density of sound and at-times frenetic energy of Drama-era Yes,” with the added wrinkle of male and female lead vocals.

Karmakanic –
Transmutation
An all-star convocation of ace progressive rock players led by Jonas Reingold (The Flower Kings, Steve Hackett), it’s perhaps more impressive than engaging… but boy is it impressive.

Solstice - Clann
Thank you, Gregory Spawton... It was on the Big Big Train bandleader's enthusiastic recommendation that I delved into the neo-folk-prog of this ever-evolving British musical collective led by guitarist Andy Glass; it's vibrant music that radiates positivity.

Trolley –
A Carnival of Grey & White
A strong summation of the Trolley sound, Carnival is a fervent, well-crafted blast of retrophile Sixties rock sounds spiced with dashes of New Wave, punk and psychedelia.

Dan Wilson –
Good Night, Los Angeles
In which the Semisonic singer-songwriter-guitarist offers up a set of instrumental late-evening meditations, improvised on piano. Sublime and at times startlingly beautiful.

NOTABLE REISSUES, COMPILATIONS, BOX SETS & TRIBUTE ALBUMS

Beatles – Anthology 4
In which the most musically and culturally significant and influential band of the past 75 years tests the outer limits of its audience’s thirst for trivia and ephemera. (“Are we nearly there yet?”)

Big Big Train – Bard (2025 reissue)

The “lost” album that international proggers BBT once deleted from their catalog returns in a remixed reissue that reinforces its strong points while adding bonus tracks.

Buckingham Nicks –
Buckingham Nicks
One of the most sought-after “lost albums” of the ’70s finally gets reissued, revealing the truth: it’s pretty mediocre, yet still essential listening for fans of either artist, not to mention that band they joined.

Drive-By Truckers 
 The Definitive Decoration Day
In which the Southern rockers revisit a classic album, giving it a fresh mix and master and adding a two-disc contemporaneous live show covering most of the then-new album.

Various Artists – Keep Me In Your Heart: The Songs Of Warren Zevon

In which a group of artists well known, unknown, and everywhere in between pay enthusiastic tribute to a songwriting hero they all share. "Keep Me In Your Heart is the perfect choice of a title for this lovely and loving collection, made by people who have done exactly that." 

Wampeters  Well Wishes 
A seven-CD set collecting the entire recorded output of the band Mark Doyon led in the '80s and '90s, whose core members became serial guests for his more recent vehicles Arms Of Kismet and Waterslide. Warm, witty, provocative and iconoclastic art-pop.

TALK TALK

Along with everything else, I managed to interview four of my favorite singer-songwriters this year. Woo-hoo! (And the next one is coming up.) Check out my conversations with:


LOOKING FORWARD TO:

Big Big Train – Woodcut
The first two singles from BBT’s forthcoming new studio release—the group’s first full-length narrative concept album—show tremendous promise, with the band’s drive, heart, intelligence, virtuosity, and versatility all on display.

Joe Jackson – Hope And Fury
Love the title, love the return to New Wave rock, love the enduring commitment to his craft. Joe is and always has been the real deal.

Bruce Springsteen – TBD
No word yet on what the title will be, when it’s coming out, or what style of music it explores. It’s The Boss and that’s enough to earn my interest.

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