The Collection (2025 vinyl reissue)
Chrysalis, 2025
REVIEW BY: Tom Haugen
ORIGINALLY PUBLISHED: 04/14/2026
The British New Wave legends Ultravox existed in some form from 1974 to 2013, and influenced legions of similar bands with their synth-pop and post-punk ways. The Collection was released in 1984, and with the success of the recent reissues of Ultravox's catalog, this assembly of 14 singles between 1980 and 1984 is spread out on a double vinyl format for superior sound.
“Dancing With Tears In My Eyes” opens with the chorus first, where Midge Ure’s impressive range guides the bright synth and Warren Cann’s skilled drumming. “Hymn” then embraces all that we love about ’80s New Wave thanks to the swirling synth and dreamy backdrop.
Moving into Side 2, the post-punk spirit of “The Voice” allows for Chris Cross’ playful bass to shine, though it’s the ambience and mystery of “Vienna” that makes this the highlight from the first half. “Sleepwalk” finishes this portion, and is a bit more muscular, where firm keys and thumping drums seem tailor made for the dance floor.
Side 3 begins with the flowing synth and animated rhythm section of “Reap The Wild Wind,” as Ure’s distinct voice invites singing along, and “Visions In Blue” finds itself in balladry thanks to Currie’s intimate piano, which suits the hushed singing.
The last few songs are great, too. “One Small Day” is a rugged, New Wave anthem that’s aged quite well, and “Lament” finishes with atmosphere being key to the cautious and lush waves.
Even though they achieved more success commercially on their home continent, Ultravox’s influence ran worldwide, including stars like Gary Numan, Simple Minds and Duran Duran. If you want to really dig deep into the band, other formats, such as the four LP boxset or four CD / two DVD set, will give you further insight into one of the most seminal New Wave and synth-pop outfits.